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In true ‘90s underground manner, Dunye enlisted the photographer Zoe Leonard to build an archive on the fictional actress and blues singer. The Fae Richards Photo Archive consists of eighty two images, and was shown as part of Leonard’s career retrospective for the Whitney Museum of recent Art in 2018. This spirit of collaboration, and also the radical act of crafting a Black and queer character into film history, is emblematic of a ‘90s arthouse cinema that wasn’t afraid to revolutionize the past in order to create a more possible cinematic future.
Almost 30 years later (with a Broadway adaptation in the works), “DDLJ” remains an indelible moment in Indian cinema. It told a poignant immigrant story with the message that heritage is not lost even thousands of miles from home, as Raj and Simran honor their families and traditions while pursuing a forbidden love.
But this drama has even more than the exceptionally unique story that it is around the surface. Put these guys and the way they experience their world and each other, within a deeper context.
The terror of “the footage” derived from watching the almost pathologically ambitious Heather (Heather Donahue) begin to deteriorate as she and her and her crew members Josh (Joshua Leonard) and Mike (Michael C. Williams) get lost during the forest. Our disbelief was successfully suppressed by a DYI aesthetic that interspersed low-quality video with 16mm testimonials, each giving validity to the nonfiction concept in their individual way.
It’s now the fashion for straight actors to “go gay” onscreen, but rarely are they as naked (figuratively and otherwise) than Phoenix and Reeves were here. —RL
that attracted massive stars (including Robin Williams and Gene Hackman) and made a comedy movie killing on the box office. Around the surface, it might appear to be loaded with gay stereotypes, but beneath the broad exterior beats a tender heart. It was directed by Mike Nichols (
Scorsese’s filmmaking has never been more operatic and powerful mainly because it grapples with the paradoxes of terrible Guys as well as profound desires that compel them to gayboystube do terrible things. Needless to mention, De Niro is terrifically cruel as Jimmy “The Gent” Conway and Pesci does his best sunny leone x work, but Liotta — who just died this year — is so spot-on that it’s hard not to think about what might’ve been had Scorsese/Liotta Crime Movie become a thing, far too. RIP. —EK
That query is vital to understanding the film, whose hedonism is solely a doorway for viewers to step through in search of more sublime sensations. Cronenberg’s course is cold and clinical, the near-continuous fucking mechanical and indiscriminate. The only time “Crash” really comes alive is during the instant between anticipating Loss of life and escaping it. Merging that rush of adrenaline with orgasmic release, “Crash” takes the car like a phallic image, its potency tied to its potential for violence, and redraws the boundaries of romance around it.
But Kon is clearly less interested from the (gruesome) slasher angle than in how the killings resemble the crimes on Mima’s show, amplifying a hall of mirrors influence that wedges the starlet even further away from herself with every subsequent trauma — real or imagined — until the imagined comes to think a reality all its very own. The indelible finale, in which Mima is chased across Tokyo by a terminally online projection of who someone else thinks the fallen idol should be, offers a searing illustration of the future in which self-id would become its possess kind of public bloodsport (even during the absence of fame and folies à deux).
earned critical and audience praise for just a reason. It’s hdporn92 about a late-18th-century affair between a betrothed French aristocrat plus the woman commissioned to paint her portrait. It’s a beautiful but heartbreaking LGBTQ movie that’s sure to become a streaming staple for movie nights.
Gus Van Sant’s gloriously unhappy road movie borrows from the worlds of author John Rechy and even the director’s individual “Mala Noche” in sketching the humanity behind trick-turning, closeted street hustlers who share an ineffable spark within the darkness. The film underscored the already evident talents of its two leads, River Phoenix and Keanu Reeves, while also giving us all many a explanation to swoon badwap over their indie heartthrob status.
The artist Bernard Dufour stepped in for long close-ups of his hand (to be Frenhofer’s) as he sketches and paints Marianne for unbroken minutes at a time. During those moments, the plot, the actual push and pull between artist and model, is put on pause as the thing is a work take condition in real time.
This underground cult classic tells the story of the high school cheerleader who’s sent to conversion therapy camp after her family suspects she’s a lesbian.
The film offers among the list of most enigmatic titles on the decade, the Unusual, sonorous juxtaposition of those two words almost always presented inside omegle porn the original French. It could be examine as “beautiful work” in English — but the concept of describing work as “beautiful” is somehow dismissive, as When the legionnaires’ highly choreographed routines and domestic tasks are more of a performance than part of the advanced military method.